写真

When the rainy season begins in central Brazil it is natural fast showers in the afternoon.
My guide had explained me how the city was projected as a social experience, divided in sectors, as each super-block working as a little town, with everything someone needed being close of home, but I confess it was difficult to understand some details, in special the identification of the address.
In one of these super-blocks was one of the most curious buildings of the town. When the city was being built one of the daughters of the president JK became very sick and Dona Sara, the mother of the child, did a promise to Our Lady of F疸ima to build a church for her. The girl survived and Dona Sara asked to Niemeyer (an atheist) to create a model of chapel for free. He said the model was and imitation of a hat of nun.
Inside there were murals of a modernist Brazilian-Italian artist that were covered with ink some years after, I guess the priests thought the painting wasn't nice for a church.
The tiles around the church,in dark blue and white, are a creation of Athos Bulc縊 and shows swallows flying. As you see there was a mass in the moment. I will show you it after.
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Quando a esta鈬o chuvosa come軋 no centro do Brasil � natural que aconte軋m chuvas r疳idas no final da tarde.
Meu guia tinha me explicado como a cidade havia sido projetada, com superquadras que imitavam uma cidade pequena, com tudo aquilo que um morador necessitava estando perto de sua casa. Algumas coisas eram dif�ceis de entender, em especial os endere輟s.
Numa dessas superquadras estava uma das constru鋏es mais curiosas de Bras�lia, a Igrejinha de N.S. de F疸ima.
Quando a cidade estava sendo constru�da uma das filhas de JK ficou doente e Dona Sara pediu ajuda e fez promessa para N.S. de F疸ima, quando a menina se recuperou ela mandou erguer uma capela para Maria, para isso, pediu a Niemeyer (que era ateu) que ele fizesse o projeto da capela de gra軋. Ele disse que as formas da capela eram aquelas de um chap騏 de freira.
O interior ganhou murais de um famoso artista moderno e anos depois foram cobertos de tinta, pois algum religioso achou que n縊 eram apropriados para uma igreja.
J� os azulejos ao redor da capela s縊 obra de Athos Bulc縊, s縊 azuis-escuros e brancos e mostram andorinhas voando.
Como podem ver, havia uma missa no momento, e eu mostrarei isso depois.