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Jean Michel PERRUCHE Contact

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Intro
Avec la sculpture sur marbre, contrairement la photographie num駻ique, tu ne peux pas d駸activer le 田lic-clac intempestif de ton outil. Autre avantage d置ne prise de note avec un num駻ique, le temps de pose est beaucoup plus court qu弾n sculpture. Et puis, argument d馗isif : la sculpture en voyage est trop lourde, m麥e si tu reviens moins charg qu誕u d駱art, avec seulement deux ou trois 饕auches tu payes de fortes surtaxes a駻iennes.

La photographie est donc un sport de flemmard. Paradoxalement c弾st un art difficile, pour ma part je place la barre si haut que je n誕i jamais r騏ssi faire une mise au point correcte.

Je me suis aussi aper輹 que les photos les plus r騏ssies n帝taient pas forc駑ent les meilleures (et vice-versa).

Enfin, la photo id饌le serait un banal clich d弛vni, un instantan tellement net qu弛n pourrait lire les initiales du conducteur de l弾ngin sur ses boutons de manchette. Bref, il reste des progr鑚 faire en mati鑽e de photographie...

(Google Traduction : With marble sculpture, unlike digital photography, you can not disable the "click-clack" of your untimely tool. Another advantage of note taking with digital, the exposure time is much shorter than in sculpture. And clincher: sculpture trip is too heavy, even if you come back at less charged initially with only two or three drafts you pay high air surcharges.

The photograph is a sport for lazy. Paradoxically this is a difficult art, for my part I set the bar so high that I never managed to make a correct focus.

I also noticed that the best shots were not necessarily the best (and vice versa).

Finally, the ideal picture would be a trite cliche UFO, a snapshot net so we could read the original driver of the vehicle on his cufflinks. In short, there remains room for improvement in photography ...)

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Others shots (witout advertising) on : jm-perruche.fr
Member Since
2004-11-22
Equipment
Canon EOS 350D, Canon EOS 5, Konica Minolta Dimage A2, Nikon coolpix SQ, Nikon F801, Panasonic Lumix DMC GH3, Panasonic Lumix G1
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